Skip to main content

Being a Beast

Being a Beast


A passionate naturalist explores what it’s really like to be an animal—by living like them
How can we ever be sure that we really know the other? To test the limits of our ability to inhabit lives that are not our own, Charles Foster set out to know the ultimate other: the non-humans, the beasts. And to do that, he tried to be like them, choosing a badger, an otter, a fox, a deer, and a swift. He lived alongside badgers for weeks, sleeping in a sett in a Welsh hillside and eating earthworms, learning to sense the landscape through his nose rather than his eyes. He caught fish in his teeth while swimming like an otter; rooted through London garbage cans as an urban fox; was hunted by bloodhounds as a red deer, nearly dying in the snow. And he followed the swifts on their migration route over the Strait of Gibraltar, discovering himself to be strangely connected to the birds.
A lyrical, intimate, and completely radical look at the life of animals—human and other—Being a Beastmingles neuroscience and psychology, nature writing and memoir to cross the boundaries separating the species. It is an extraordinary journey full of thrills and surprises, humor and joy. And, ultimately, it is an inquiry into the human experience in our world, carried out by exploring the full range of the life around us.

Comments

Popular posts from this blog

Negative Afterimage

Reber Shukri Professor Vaughn Negative afterimage is a stimulus which elicits a positive image. In order to experience this, one can look at a bright source of light and then look away to a dark area. The way negative afterimage works is when the eye's photo-receptors which are the rods and cones adapt to over stimulation and lose sensitivity. The photo-receptors which are constantly exposed to the same stimulus will fatigue their supply of photo pigment, resulting a decrease in signal to the brain. The way negative afterimage connects to perception is because of bottom up processing where the stimulus influences what we perceive. https://www.youtube.com/watch?v=szy8iNCljlQ <Link to the video

Illusions that Confuse Multiple Senses

In this video, several illusions are shown that deceive your senses. Illusions such as the Zöllner Illusion and the Poggendorff illusion confuse our bottom up processing by tricking our vision. However, our vision isn't the only sense that these illusions can confuse, blind individuals presented with raised versions of the same illusions are also confused by them. These illusions effect the visual and touch systems by confusing our bottom up processing by tricking out sight and touch. https://www.youtube.com/watch?v=Je1mkzRU5rc&t=64s
          Evolution of Camouflage & First World War Dazzle Paint Jobs           The origins of modern camouflage owes itself to 19th century naturalist painters.  The most notable of these in the development of knowledge of camouflage was Abbot H, Thayer.  While he harbored some strange views of the scientific development of animal camouflage (all animals were "camouflaged")  He noticed the effect of disruptive patterning and countershading.  He noted that animal markings tended to obstruct their shape in nature.  Their coloring added with this made them often completely invisible. By going from darker shades on top to lighter on the bottom animals canceled out the way we see objects by light illuminated them top down.  Black also aided in disruptive schemes. An example of Countershading. Abbot's demonstration of disruptive patterns. In this image we can see how disruptive patterns observe...